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Zurück zu hundertmillimeter.de ------------------------------------------------------------------------------ © rainer giacomelli 03/2015 |
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n” |
MM |
Brand |
F/ |
Type |
Mount |
AF |
A7, A7 II, A7 S |
A7 R (36MP) |
Info |
MIN /F |
Ū |
g |
L mm |
Notes: |
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1 |
10-18 |
Sony |
4 |
SEL1018 AE APS-C |
Sony E |
yes |
good (crop) |
good (crop) |
http://briansmith.com/sony-a7r-10-18-e-mount-lens/ |
22 |
610 |
225 |
64 |
much better than I thought. Full frame > 13mm. Vignetting
is pretty much the same at 4 and 5.6, but extreme corner sharpness improves
slightly with each stop down. |
|
2 |
12 |
Voigtlnder |
5.6 |
Ultra-Wide-Heliar ASPH II |
Leica M |
no |
|
usable to good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
769 |
162 |
43 |
A good sharp Ultra-wide angle lens, but strong vignette and
colour cast. This was a popular lens in the film days, but on digital
including M9 is marginal. Some report minimal vignette & color cast.
Production variences seem wide. |
|
3 |
12 |
Zeiss |
2.8 |
Touit APS-C |
Sony E |
no |
good to excellent (crop) |
|
http://diglloyd.com/blog/2014/20140512_3-SonA7R-ZeissTouit12f2_8-aspectRatios.html |
22 |
869 |
260 |
81 |
pretty good from 11-13 and hardly requires any crop from
14-18mm |
|
4 |
14 |
Samyang Rokinon |
2.8 |
Ultra Wide-Angle IF ED UMC |
Sony E |
no |
good to excellent |
good to excellent |
http://sonyalphalab.com/product-review/rokinon-14mm-ultra-wide-angle-f2-8-if-ed-umc-lens-review/ |
22 |
315 |
570 |
122 |
Production variences make this a hit and miss purchase. Once a
good copy is found, excellent results. Does not take screw in filters.
Distorsions are present. |
|
5 |
15 |
Voigtlnder |
4.5 |
Super-Wide-Heliar M ASPH II |
Leica M |
no |
usable to good |
usable to good |
http://www.stevehuffphoto.com/2014/02/04/the-sony-a7-meets-the-voigtlander-15mm-heliar-by-steven-norquist/ |
22 |
479 |
156 |
38 |
The corners do suffer from blur on the A7 even at infinity.
Vignetting and blur, but images are impressive. |
|
6 |
15 |
Voigtlnder |
4.5 |
Super-Wide-Heliar M ASPH III |
Leica M |
no |
good to excellent |
|
http://www.aubade-photos.com/blog6/?p=66273 |
22 |
749 |
247 |
55 |
Il a t redessin par Voigtlnder pour amliorer la
performance dans les coins avec les boitiers Sony A7 full frame. On ne
devrait donc pas avoir de color shift dans les coins avec la nouvelle
mouture. |
|
7 |
15 |
Zeiss |
2.8 |
Distagon T* ZE, ZF.2 |
Canon, NIkon |
no |
excellent |
excellent to outstanding |
http://www.dpreview.com/forums/thread/3699976 - forum-post-54029490 |
22 |
3000 |
820 |
132 |
Moderate performer on the A7r. Colour shifting is there, but
sharpness at the edges are excellent. There are reports that results are
inconsistent. No distortion whatsoever. Color shifting can be dealt with in
Post Processing. A nice small and fun lens. Performs better on A7 |
|
8 |
16 |
Samyang Rokinon |
2 |
ED AS APS-C |
Sony E |
no |
good to excellent |
excellent (crop) |
http://www.dpreview.com/forums/thread/3634011 - forum-post-53231524 |
22 |
420 |
583 |
89 |
They are reasonable priced, very sharp, and have plenty of
contrast for both video and stills. |
|
9 |
16 |
Sony |
2.8 |
SEL16F28 APS-C Pancake |
Sony E |
yes |
|
poor to good (crop) |
http://luminous-landscape.com/sony-a7r-wishful-thinking/ |
22 |
230 |
67 |
23 |
It's a great alternative to the 10-18 when there is just no
light. |
|
10 |
16-18-21 |
Leica |
4 |
Tri Elmar M WATE |
Leica M |
no |
|
outstanding |
http://3d-kraft.com/index.php%3Foption=com_content&view=article&id=148:ultra-wide-angle-m-mount-lenses-on-sony-a7r&catid=40:camerasandlenses&Itemid=2 |
22 |
4750 |
335 |
62 |
Strong Vignetting in Full Frame mode, great walk around
pancake in APS-c mode |
|
11 |
16-35 |
Sony Zeiss |
2.8 |
SAL1635Z |
Sony A |
yes |
good to outstanding |
good to outstanding |
http://www.rangefinderforum.com/forums/showthread.php?t=137925 |
22 |
1599 |
873 |
114 |
Ultra wide zoom lens Unbelievably sharp and clear. Reported
very sharp on A7r Expensive. |
|
12 |
16-35 |
Sony Zeiss |
4 |
SEL1635Z Vario-Tessar FE |
Sony E |
yes |
excellent |
|
http://sonyalphalab.com/product-review/sony-fe-16-35mm-f4-za-oss-lens-review-sel1635z/ |
22 |
1200 |
518 |
99 |
Good Landscape zoom, very heavy, AF very responsive |
|
13 |
17 |
Canon |
4 |
Tilt Shift TSE |
Canon EF |
no |
good to excellent |
|
http://www.stevehuffphoto.com/2014/02/03/the-sony-a7r-with-canon-17mm4-ts-e-architecture-dream-team/ |
22 |
2075 |
820 |
107 |
very good lens for landscape photography, best at f/11 |
|
14 |
17-35 |
Nikon |
2.8 |
Nikkor D IF ED |
Nikon F |
no |
good |
poor to good |
http://www.dpreview.com/forums/thread/3760352 - forum-post-54840623 |
22 |
1599 |
730 |
106 |
Very sharp overall and great distortion control, relatively
light weight, build quality is very good, OSS works great |
|
15 |
18 |
Leica |
3.4 |
Super Elmar M ASPH |
Leica M |
no |
good |
good |
http://blog.kasson.com/?p=6447 |
16 |
2970 |
279 |
55 |
Works fine |
|
16 |
18 |
Zeiss |
4 |
Distagon ZM |
Leica M |
no |
good to excellent |
good to excellent |
http://www.leica-boss.com/2013/12/your-a7r-wants-a-wide-angle-lens-what-do-you-do/ |
22 |
1200 |
320 |
73 |
Some color shift and wide open vignetting |
|
17 |
18 |
Zeiss |
4 |
Distagon C/Y |
Contax Yashica |
no |
usable, good |
|
http://www.leica-boss.com/2013/12/your-a7r-wants-a-wide-angle-lens-what-do-you-do/ |
22 |
400 |
350 |
52 |
Center to 3/4 frame excellent sharpness, considerable falloff
towards edges, some distorsion (correctible). |
|
18 |
20 |
Canon |
2.8 |
FD |
Canon FD |
no |
usable, good |
|
https://www.onlandscape.co.uk/2014/02/wideangle-options-sony-a7r/ |
22 |
35 |
305 |
58 |
Canon FD glass stands out as being good value and widely
available. Vignetting, blur and smearing. Sharpness drops off in corners. |
|
19 |
20 |
Minolta |
2.8 |
AF |
Minolta, Sony A |
yes |
poor |
poor |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
22 |
350 |
285 |
53 |
not very sharp in corners, disappointing |
|
20 |
20 |
Sony |
2.8 |
SEL20F28 APS-C Pancake |
Sony E |
yes |
usable, good (crop) |
|
http://www.dpreview.com/forums/thread/3721896 - forum-post-54324294 |
16 |
290 |
69 |
20 |
sharp, ultralight with good built quality, good close focus
and it makes for the most compact native solution. It has some visible
vignetting. In FF mode sharpness drops off quickly. |
|
21 |
21 |
Leica |
2.8 |
Elmarit M ASPH |
Leica M |
no |
good |
good |
http://aboutphotography-tomgrill.blogspot.fr/2014/01/sony-a7r-with-leica-m-lenses-hands-on.html |
16 |
1000 |
317 |
59 |
Results from the 21mm are very good, especially considering
how wide it is. |
|
22 |
21 |
Leica |
1.4 |
Summilux M ASPH |
Leica M |
no |
poor |
poor |
http://www.ronscheffler.com/techtalk/?page_id=306 |
16 |
5800 |
580 |
66 |
On the a7R, a fairly large central area looks great already at
f/1.4, though the edges definitely smear |
|
23 |
21 |
Leica |
3.4 |
Super Elmar ASPH |
Leica M |
no |
poor |
poor |
http://3d-kraft.com/index.php?option=com_content&view=article&id=171:adorable-uwas-zeiss-leica-voigtlander-olympus&catid=40:camerasandlenses&Itemid=2 |
16 |
2400 |
279 |
43 |
The Leica Super-Elmar 21/3.4 ASPH as the most compact solution
also has the strongest color-shift and vignetting. |
|
24 |
21 |
Voigtlnder |
4 |
Color Skopar Pancake |
Leica M |
no |
poor |
poor |
http://www.leica-boss.com/2013/12/your-a7r-wants-a-wide-angle-lens-what-do-you-do/ |
22 |
330 |
136 |
25 |
color shifts that extend almost to the middle of the frame,
really bad corner smearing, and a really prominent vignette |
|
25 |
21 |
Voigtlnder |
1.8 |
Ultron CV ASPH |
Leica M |
no |
good to excellent |
good to excellent |
http://3d-kraft.com/index.php%3Foption=com_content&view=article&id=148:ultra-wide-angle-m-mount-lenses-on-sony-a7r&catid=40:camerasandlenses&Itemid=2 |
22 |
1069 |
412 |
78 |
same sharpness and contrast as the WATE in the image center
but looses quality in the edges, accompanied with some tendency to CAs.Has a
little bit more tendency to color shift on the A7 but marginal and easy to
correct. |
|
26 |
21 |
Zeiss |
2.8 |
Biogon T ZM |
Leica M |
no |
poor |
poor |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
1180 |
280 |
75 |
outright horrible on A7/R |
|
27 |
21 |
Zuiko |
3.5 |
OM |
Olympus OM |
no |
good |
good |
http://3d-kraft.com/index.php?option=com_content&view=article&id=171:adorable-uwas-zeiss-leica-voigtlander-olympus&catid=40:camerasandlenses&Itemid=2 |
16 |
100 |
180 |
31 |
The OM Zuiko 21/3.5 does not match the corner sharpness of the
WATE or the Zeiss FE but performs quite well and will give you good value for
price with acceptable weight and dimensions |
|
28 |
24 |
Leica |
3.8 |
Elmar M |
Leica M |
no |
good |
good |
http://blog.kasson.com/?p=6447 |
16 |
2300 |
279 |
55 |
Works fine. A tiny bit of ŅItalian flagÓ color casting |
|
29 |
24 |
Minolta |
2.8 |
AF |
Minolta, Sony A |
yes |
good |
good |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
22 |
250 |
215 |
44 |
The Minolta 24mm F2.8 works beautifully on the Sony |
|
30 |
24 |
Samyang Rokinon |
1.4 |
IF ED UMC |
Sony E |
no |
good to excellent |
|
http://www.benny-rebel.de/informationen/tipps/objektiv-test-an-der-sony-a7r.html |
22 |
351 |
555 |
98 |
center sharpness is very good, the edges are softer, best at
f/8 |
|
31 |
24 |
Sony Zeiss |
2 |
SAL24F20Z |
Sony A |
yes |
good to outstanding |
good to outstanding |
http://www.dpreview.com/forums/thread/3708637 - forum-post-54145603 |
22 |
998 |
555 |
76 |
One of the better ultra wide lenses that work well the A7r.
There is small colour shifts that are easier to correct than others. Great
edge to edge sharpness. |
|
32 |
24-70 |
Sony Zeiss |
4 |
SEL2470Z Vario-Tessar FE |
Sony E |
yes |
excellent |
excellent |
http://www.kridpics.com/review-zeiss-vario-tessar-t-fe-16-35mm-f4-za-oss-sel1635z-for-the-sony-e-mount/ |
22 |
860 |
430 |
95 |
Its a super sharpe lens focusus quick, I use it just for
landscape images. Better at 24mm, less excellent at 70mm. |
|
33 |
24-70 |
Tamron |
2.8 |
DI USD |
Sony A |
yes |
|
excellent |
http://www.thephoblographer.com/2013/11/06/five-lenses-adapt-sony-a7-a7r/
- .VPuODUJAw1w |
22 |
786 |
825 |
109 |
walkaround lens. Go for one of the Canon or Nikon versions of
this lens because the Sony version doesnÕt have VC built in |
|
34 |
24-240 |
Sony |
3.5-6.3 |
SEL24240 ZA Vario-Tessar FE |
Sony E |
yes |
good to excellent |
good to excellent |
http://www.bhphotovideo.com/explora/photography/hands-review/hands-review-sony-fe-24-240mm-f35-63-oss-super-zoom-lens/bi/19115/kbid/10779 |
22 |
999 |
780 |
118 |
It's not going to be the sharpest or most light-sensitive lens
but, in my testing, I think it does well enough to use in place of other FE
lenses - in most circumstances |
|
35 |
25 |
Voigtlnder |
4 |
Color-Skopar P Pancake |
Leica M |
no |
poor to good |
poor to good |
http://luminous-landscape.com/sony-a7r-wishful-thinking/ |
22 |
499 |
144 |
30 |
One report says, one of the sharpest zooms available, Heavy |
|
36 |
25 |
Zeiss |
2.8 |
Biogon T ZM |
Leica M |
no |
poor |
poor |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
990 |
260 |
60 |
poor edge sharpness. Some vignetting and color shift on the
a7R. |
|
37 |
28 |
Canon |
2 |
FDn |
Canon FD |
no |
good |
good |
http://www.fredmiranda.com/forum/topic/1254258/26 |
22 |
66 |
170 |
40 |
cheap, it handles great |
|
38 |
28 |
Canon |
2.8 |
FD |
Canon FD |
no |
good |
good |
http://www.fredmiranda.com/forum/topic/1268417/0 |
22 |
45 |
280 |
49 |
I'm surprised how well it performs on the A7r. It's sharp wide
open with good contrast in the center and the corners start to improve from
f/5.6 and up. |
|
39 |
28 |
Leica |
2.8 |
Elmarit M ASPH |
Leica M |
no |
good to excellent |
good to excellent |
http://www.fredmiranda.com/forum/topic/1268417/0 |
22 |
1970 |
180 |
30 |
Outstanding sharpness throughout frame. V2 and V3 are good.
Seems to be a less good performer on A7s. |
|
40 |
28 |
Leica |
2 |
Summicron M ASPH |
Leica M |
no |
poor to good |
poor |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
1970 |
180 |
30 |
Vignetting is pretty strong on the a7R, some edge chromatic
aberrations in full frame, |
|
41 |
28 |
Nikon |
1.8 |
Nikkor AF-S G |
Nikon F |
no |
good to excellent |
good to excellent |
http://soundimageplus.blogspot.fr/2013/12/sony-a7r-and-two-best-lenses-ive-ever.html |
16 |
660 |
325 |
81 |
performed impeccably |
|
42 |
28 |
Sony |
2 |
SEL28F20 FE 2 converters |
Sony E |
yes |
(to come) |
(to come) |
http://lenses.reviewed.com/content/sony-fe-28mm-f2-first-impressions-review |
22 |
449 |
200 |
60 |
It offers excellent sharpness, smooth bokeh, and quick
autofocus, along with a short minimum focus distance |
|
43 |
28 |
Voigtlnder |
1.9 |
Ultron |
Leica M |
no |
poor to good |
poor to good |
http://www.dyxum.com/dforum/wide-angle-rangefinder-lenses-on-a7r-part-2_topic102343.html |
22 |
420 |
265 |
63 |
vignetting. Magenta shift. Not bad neither. |
|
44 |
28 |
Zeiss |
2.8 |
Biogon T ZM |
Leica M |
no |
good |
good |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
22 |
859 |
230 |
62 |
The performance of the Biogon 28mm F2.8, the least strong of
the set, was surprisingly good. |
|
45 |
28 |
Zuiko |
2.8 |
OM |
Olympus OM |
no |
good |
|
http://www.summilux.net/forums/viewtopic.php?f=14&t=61095&start=900 |
22 |
80 |
170 |
60 |
Neither the FDn or Zuiko OM lenses have quite the contrast of
the Sony Zeiss FE lenses |
|
46 |
28-70 |
Sony |
3.5-5.6 |
SEL2870 Kit Zoom FE |
Sony E |
yes |
good |
good |
http://luminous-landscape.com/sony-a7r-wishful-thinking/ |
22 |
300 |
295 |
83 |
some vignetting and edge chromatic aberrations in full frame, |
|
47 |
35 |
Canon |
2 |
LTM |
M39 |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
230 |
120 |
28 |
Vignetting improves after f/2.8 and no color shift. has a
smaller central sweet spot wide open and is lower in contrast with more
veiling flare at wider apertures, but stopped down around f/5.6 and itÕs
quite good across the frame. |
|
48 |
35 |
Jupiter |
2.8 |
Jupiter 12 |
M39 L39 |
no |
good |
|
http://www.dpreview.com/forums/post/55286163 |
22 |
40 |
130 |
58 |
Although the Sony 35 FE is much sharper, I think the images
from the J12 look fairly pleasing to the eye. Plus its pretty fun to use and
about 1/8th the cost of the Sony |
|
49 |
35 |
Leica |
2.5 |
Summarit M |
Leica M |
no |
good to excellent |
good to excellent |
http://kbesios.com/blog/2014/09/sony-a7s-with-leica-and-voigtlander-lenses/ |
16 |
1600 |
220 |
34 |
vignette and blue/purple color shifts in the corners, most is
correctble by software. |
|
50 |
35 |
Leica |
2 |
Summicron M IV pre-ASPH |
Leica M |
no |
good |
good |
http://www.dpreview.com/forums/post/53226701 |
16 |
1200 |
249 |
46 |
"King of Bokeh". This lens is a perfect example of
why wide-angle rangefinder lenses are a poor investment vs. modern
computed-for-digital lenses. Canadian < 3500000, German version above with
rectangle "35" |
|
51 |
35 |
Leica |
2 |
Summicron M ASPH |
Leica M |
no |
poor to excellent |
poor to excellent |
http://www.leica-boss.com/2014/01/the-a7r-summicron-35mm-f2-asph-holy-curved-plane-of-focus/ |
16 |
2490 |
255 |
35 |
Fantastic character wide open. Compact.The Voigt close focus
adapater is expensive but necessary in some situations. When the lens is
focused to infinity Š the corners are actually focused substantially
Ņbeyond infinityÓ. |
|
52 |
35 |
Leica |
1.4 |
Summilux M pre-ASPH |
Leica M |
no |
poor to good |
|
http://www.dpreview.com/forums/post/53226701 |
16 |
1700 |
245 |
37 |
Several reviews state that doesn't perform well on A7r. Soft
edges and poor overall sharpness. Performs well in APS-c mode and on A7 |
|
53 |
35 |
Leica |
1.4 |
Summilux M ASPH I pre-FLE |
Leica M |
no |
good to excellent |
good |
http://leicarumors.com/2014/01/22/review-using-leica-m-lenses-on-the-36mp-sony-a7r-mirrorless-camera.aspx/ |
16 |
2500 |
320 |
46 |
moins bon que le Zeiss FE 35 Sonnar, flou vers les angles |
|
54 |
35 |
Leica |
1.4 |
Summilux M ASPH II FLE |
Leica M |
no |
good to excellent |
good to excellent |
http://www.cedricduhez.com/Blog/news/sony-a7-optiques-leica-les-raisons-de-mon-changement |
16 |
4470 |
320 |
46 |
Wonderful Leica feel and soft background. Testing wide open
saw no vignetting. Soft on the edges wide open and sharpening as stopped
down. |
|
55 |
35 |
Samyang Rokinon |
1.4 |
IF AS UMC |
Sony E |
no |
good to excellent |
|
http://www.benny-rebel.de/informationen/tipps/objektiv-test-an-der-sony-a7r.html |
22 |
429 |
710 |
111 |
center sharpness is very good, the edges are softer, best at
f/8 |
|
56 |
35 |
Sigma |
1.4 |
DG HSM Art |
Canon EF |
yes |
|
excellent to outstanding |
http://soundimageplus.blogspot.fr/2014/01/sigma-35mm-f14-la-ea4-adapter-sony-a7r.html |
16 |
750 |
665 |
94 |
the AF, with the Sigma 35mm, is very good indeed (with
LA-EA4). Very good to excellent image quality. Rougher heavy lens. |
|
57 |
35 |
Sony Zeiss |
1.4 |
Distagon T FE ZA |
Sony E |
yes |
excellent to outstanding |
excellent to outstanding |
http://www.stevehuffphoto.com/2015/03/03/hands-on-the-sony-fe-35-1-4-lens-samples-and-my-1st-thoughts/ |
16 |
1699 |
630 |
112 |
The new 35mm prime lens produces stunning corner-to-corner
sharpness Ð even at maximum aperture |
|
58 |
35 |
Sony Zeiss |
2.8 |
Sonnar T FE |
Sony E |
yes |
excellent |
excellent |
http://alikgriffin.com/zeiss-sonnar-fe-35mm-f28-review-and-sample-photos |
22 |
700 |
120 |
37 |
Very crisp in close up work, smaller landscapes,looses depth
sharpness when set to infinity. Small. The perfect walk-around lens for
street photography. |
|
59 |
35 |
Voigtlnder |
2.5 |
Color Skopar PII Pancake |
Leica M |
no |
good |
good |
https://www.flickr.com/groups/sony_a7/discuss/72157641263307085/ |
22 |
469 |
134 |
23 |
It has some
correctable vignetting (not too much color shift) and maintains good
sharpness to the corners. |
|
60 |
35 |
Voigtlnder |
1.2 |
Nokton I pre-ASPH |
Leica M |
no |
good |
good |
http://www.fredmiranda.com/forum/topic/1254258/26 |
22 |
600 |
490 |
78 |
very little smearing even wide open |
|
61 |
35 |
Voigtlnder |
1.2 |
Nokton II Asph |
Leica M |
no |
poor to good |
poor to good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
1299 |
471 |
62 |
On A7, vignetting is somewhat less pronounced,on A7R
vignetting is pretty strong until around f/2.8 and never really improves much
beyond f/4, but isnÕt so bad. DoesnÕt seem to be a color shift problem. |
|
62 |
35 |
Voigtlnder |
1.4 |
Nokton Classic SC |
Leica M |
no |
poor to good |
poor to good |
http://www.sonyalpharumors.com/35mm-lenses-for-your-a7-a7r/ |
16 |
590 |
200 |
29 |
cheap, small but not really sharp wide open. Some vignetting. |
|
63 |
35 |
Zeiss |
2 |
Biogon ZM |
Leica M |
no |
poor to excellent |
poor to excellent |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
880 |
240 |
70 |
Optical quality can be fantastic, not much vignetting or
excessive color cast, but smearing (edges). production varience affecting
sharpness reported |
|
64 |
35 |
Zeiss |
2.8 |
C Biogon ZM |
Leica M |
no |
poor |
poor |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
730 |
200 |
55 |
the a7RÕs images suffer from the usual terrible edge smearing.
Strong smearing. |
|
65 |
35 |
Zeiss |
2 |
Loxia Biogon FE |
Sony E |
no |
outstanding |
outstanding |
http://www.stevehuffphoto.com/2014/10/03/testing-the-zeiss-loxia-zm-35-1-4-and-otus-lenses-on-the-a7r-by-dirk-de-paepe/ |
22 |
1150 |
340 |
59 |
best manual 35mm lens for mirrorless cameras |
|
66 |
35-105 |
Minolta |
3.5-4.5 |
Zoom AF |
Minolta, Sony A |
yes |
|
good |
http://photo.net/canon-fd-camera-forum/00cfKo |
22 |
100 |
430 |
73 |
the 35-105 (the last one) is said to be 'very good' in center
and 'good' on borders from f/5.6 on. Older model is bigger with comparable
image quality. |
|
67 |
40 |
Canon |
2.8 |
EF STM Pancake |
Canon EF |
yes |
good to excellent |
good to excellent |
http://www.dpreview.com/forums/thread/3602616 |
22 |
150 |
130 |
23 |
It works ok with MBIII and probably 'would' be one of my
favourite lenses on the A7, but the manual fly-by-wire focus is horrible
sadly. Otherwise it is an excellent little lens. |
|
68 |
40 |
Leica |
2 |
Summicron C |
Leica M |
no |
excellent |
|
http://www.dchome.net/forum.php?mod=viewthread&tid=1263513 |
16 |
450 |
125 |
24 |
Small & compact, a good street lens for the A7R, sharp
enough for everyday use in relatively "safe" conditions. Requires
power to manual focus however. |
|
69 |
40 |
Voigtlnder |
1.4 |
Nokton Classic |
Leica M |
no |
excellent |
good to excellent |
http://bartwronski.com/2014/08/08/voigtlander-nokton-classic-40mm-f1-4-m-on-sony-a7-review/ |
22 |
350 |
175 |
30 |
Great image quality, super pleasant handling, acceptable
price, vignetting correctable in LR. Focus shift. More vignetting on A7R. |
|
70 |
40 |
Voigtlnder |
2 |
Ultron SL II ASPH |
Leica M |
no |
good |
good |
http://www.stevehuffphoto.com/tag/sony-a7/ |
22 |
480 |
180 |
25 |
Crisp, clean, slight vignetting but super sharp |
|
71 |
40 |
Voigtlnder |
2.8 |
Heliar ASPH |
Leica M |
no |
good |
good |
http://www.stevehuffphoto.com/2014/11/11/the-voigtlander-40-2-8-heliar-aspherical-lens-for-sony-fe-review/ |
22 |
480 |
132 |
21 |
It is small, collapsible, stellar in its rendering. The clicks
aperture dial moves (too) easy. It can flare if shooting direct into sun. It
will vignette slightly wide open |
|
72 |
50 |
Canon |
0.95 |
"Dream Lens" |
RF Leica M Conv |
no |
good to excellent |
good to excellent |
http://www.paulmarbrook.com/sony-a7-canon-50mm-f0-95-dream-lens/ |
16 |
949 |
604 |
75 |
This is not a lens to buy for it's sharpness. Buy it for it's
super unique rendering. |
|
73 |
50 |
Canon |
1.2 |
FD L |
Canon FD |
no |
excellent to outstanding |
excellent to outstanding |
http://www.verybiglobo.com/sony-fe-55mm-f1-8-z-vs-canon-fd-50mm-f1-2-l/ |
16 |
1250 |
377 |
66 |
Collectors premium prize, unmatched soft rendering with great
bokeh. Soft around edges. Conversions reported that aren't good. Originally C
mount |
|
74 |
50 |
Canon |
1.4 |
LTM |
M39 |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
450 |
246 |
50 |
a lot of softness/glow/veiling flare wide open and gradually
improves as it is stopped down. |
|
75 |
50 |
Canon |
1.5 |
RF LTM |
L39 |
no |
good to excellent |
good to excellent |
http://forum.mflenses.com/canon-50mm-f-1-5-ltm-and-a7r-t64211.html |
16 |
380 |
269 |
46 |
Superb "Art" lens, great bokeh, rivals modern
optics, collectors lens |
|
76 |
50 |
Jupiter |
2 |
Jupiter-8 |
M39 L39 |
no |
good |
good |
http://www.stevehuffphoto.com/tag/sony-a7/ |
22 |
60 |
130 |
45 |
absolutely usable and good image quality on A7s |
|
77 |
50 |
Leica |
0.95 |
Noctilux M ASPH |
Leica M |
no |
good to outstanding |
good to outstanding |
http://www.stevehuffphoto.com/tag/sony-a7/ |
16 |
9200 |
700 |
75 |
Summilux copy. On Sony edge/corner sharpness and color
accuracy are not as good as on Leica gear. |
|
78 |
50 |
Leica |
2 |
Summicron collaps IV pre-ASPH |
Leica M |
no |
good |
usable, good |
https://theshutterfilms.wordpress.com/leica-50mm-f2-summicron/ |
16 |
400 |
234 |
44 |
Superb sharpness in the center while rendering interesting
bokeh and colour saturation outside the focus area. Focusing especially on
portraiture remains to be a delicate operation. |
|
79 |
50 |
Leica |
2 |
Summicron M ASPH pre-APO IV |
Leica M |
no |
good to excellent |
good to excellent |
http://www.dpreview.com/forums/post/53226701 |
16 |
1900 |
195 |
43 |
bokeh quality doesn't get good before f/4 in my typical
shooting environment. Also focus plane stuff contrast & field curvature
makes me prefer f/4. However I find the results @ f/4 very enjoyable |
|
80 |
50 |
Leica |
2 |
APO Summicron M ASPH |
Leica M |
no |
excellent to outstanding |
excellent to outstanding |
http://www.stevehuffphoto.com/2014/06/06/the-leica-50-summicron-f2-apo-review-part-1-by-steve-huff/ |
16 |
7000 |
300 |
47 |
Canadian Leitz versions (type 3, type 4 is outstanding).
Prices range all over the place from $900 to $20K. This lens is as sharp as
it gets and if you're not obsessed with depth of field, amazing 3D rendering
at F2. |
|
81 |
50 |
Leica |
1.4 |
Summilux M ASPH |
Leica M |
no |
poor to excellent |
poor to excellent |
http://www.ronscheffler.com/techtalk/?page_id=306 |
16 |
3460 |
335 |
53 |
it suffers from a mid-zone drop in sharpness through the wider
aperture range.A7R: not the best for landscapes where, lacks across-frame
consistency and sharpness. Better on the a7 for nearer distance or three
dimensional work |
|
82 |
50 |
Leica |
2.8 |
Elmar M III collapsible |
Leica M |
no |
good |
good |
http://www.fredmiranda.com/forum/topic/1254258/26 |
16 |
400 |
200 |
40 |
showed moderate luminance vignetting, a bit of color shift in
the blue channel at the corners, and moderate smearing at f2.8 and 4 |
|
83 |
50 |
Minolta |
1.4 |
AF |
Minolta, Sony A |
yes |
good to excellent |
good to excellent |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
22 |
60 |
245 |
40 |
razor sharp |
|
84 |
50 |
Minolta |
2.8 |
Macro |
Minolta, Sony A |
yes |
good to excellent |
good to excellent |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
32 |
240 |
295 |
60 |
razor sharp |
|
85 |
50 |
Mitakon |
0.95 |
Speedmaster "Dark Knight" |
Sony E |
no |
|
excellent |
http://www.yannickciancanelli.com/manual-lens-review-mitakon-50mm-0-95-speedmaster-on-a-sony-a7/
- .VP4oV0JAw1w |
16 |
940 |
720 |
87 |
Awesome bokeh, exceptional in lowlight, manual only, heavy |
|
86 |
50 |
Nikon |
1.4 |
Nikkor S Auto |
Internal S |
no |
good |
good |
http://www.stevehuffphoto.com/tag/sony-a7/ |
16 |
289 |
325 |
47 |
Chrome version, sharper than the Canon 1.5 50 with a classic
look, especially sharp < f/8. If you use voigtlander S to VM-E adapter it
requires a helicoid adapter as well. Amedeo mount is one piece. |
|
87 |
50 |
Nikon |
1.4 |
Nikkor AF D |
Nikon F |
no |
good |
good |
http://www.mikekobal.com/bokeh-comparison-sony-a7-nikkor-50mm-1-4d-vs-fuji-x-e1-fuji-fx-35mm-1-4/ |
16 |
300 |
260 |
43 |
lens shot wide open delivers delicious bokeh, although this
older Nikkor lens isnÕt as sharp as the latest G version, I still prefer it
because of the manual aperture ring and personally I donÕt mind the light
ŅglowÓ when shooting at 1.4 |
|
88 |
50 |
Pentax |
1.2 |
SMC |
Pentax K |
no |
|
excellent |
http://www.verybiglobo.com/super-fast-50-58mm-shot-out-wide-open/ |
22 |
80 |
394 |
49 |
Retro fast lens with outstanding bokeh, crisp optically, need
to focus carefully, collectors glass |
|
89 |
50 |
Pentax |
1.4 |
Takumar |
M42 |
no |
good |
good |
http://www.getdpi.com/forum/sony/50186-one-manual-focus-lens-a7r.html |
16 |
80 |
250 |
49 |
tiny lens, dreamy wide open, lovely rendering throughout,
resolved detail at any f-stop and has great corners |
|
90 |
50 |
Sigma |
1.4 |
DG HSM Art |
Nikon F |
yes |
good to outstanding |
good to outstanding |
http://3d-kraft.com/index.php?option=com_content&view=article&id=160%3Aadorable-50s-sigma-art-zeiss-otus-sonnar-leica-summilux-review&catid=40%3Acamerasandlenses&Itemid=2&limitstart=5 |
16 |
780 |
815 |
100 |
quality is not as consistent across the whole frame
(especially in the edges) as the results shown by the Zeiss FE and the Zeiss
Otus. |
|
91 |
50 |
Voigtlnder |
1.1 |
Nokton |
Leica M |
no |
good to excellent |
good |
http://mekphoto.blogspot.fr/2014/07/voigtlander-nokton-50mm-f11-on-sony-a7r.html |
16 |
999 |
428 |
57 |
an excellent lens. However, it is optimized for a different
body, and A7R sensor is a bit too much to handle. |
|
92 |
50 |
Voigtlnder |
1.5 |
Nokton LTM ASPH |
Leica M |
no |
good to excellent |
good to excellent |
http://www.stevehuffphoto.com/2013/12/27/voigtlander-close-focus-m-adapter-50-nokton-1-5-and-sony-a7r/ |
16 |
700 |
293 |
46 |
Easy to focus, amazing sharpness and detail and beautiful
Bokeh. Typical Voigtlander purple fringing at wider aperturesÉ |
|
93 |
50 |
Zeiss |
1.5 |
C Sonnar T ZM |
Leica M |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
16 |
950 |
250 |
45 |
not the best for landscapes: this lens does result in some
edge smearing, relatively weak outer zone performance |
|
94 |
50 |
Zeiss |
2 |
Planar T ZM |
Leica M |
no |
good to excellent |
good to excellent |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
1060 |
210 |
43 |
This lens has always been a solid performer on the M9 and
appears to be a good option for the a7R tooÉ however, it doesnÕt quite
resolve as highly as the Lux ASPH in the center of the frame |
|
95 |
55 |
Pentax |
1.8 |
SMC Takumar |
M42 |
no |
good to excellent |
good to excellent |
http://www.dyxum.com/dforum/smc-pentax-55mm-f18-kmount_topic110117.html |
22 |
45 |
201 |
43 |
40 yrs old. Excellent optics. Small, fast, sharp and
excellence creamy bokeh. Nice skin tone rendition |
|
96 |
55 |
Sony Zeiss |
1.8 |
SEL55F18Z Sonnar FE |
Sony E |
yes |
excellent to outstanding |
excellent to outstanding |
http://www.imaging-resource.com/news/2013/11/22/sony-fe-55mm-f-1.8-zeiss-lens-review-superbly-sharp-lens-full-frame-a7r-a7 |
22 |
950 |
281 |
71 |
lens produces stellar results in pretty much all categories |
|
97 |
55 |
Zeiss |
1.4 |
Apo Distagon Otus ZE |
Canon EF |
no |
outstanding |
outstanding |
http://www.stevehuffphoto.com/2014/04/09/the-zeiss-otus-1-455-on-the-sony-a7r-by-dirk-de-paepe/ |
16 |
3460 |
1030 |
141 |
Un Parralled detail, color & versatility. Best normal lens
ever made, Heavy |
|
98 |
57 |
Konica |
1.2 |
Hexanon AR |
AR |
no |
|
excellent |
http://www.fujix-forum.com/index.php/topic/33228-konica-hexanon-ar-57mm-f12-test-drive/ |
16 |
600 |
463 |
50 |
Crazy beautiful bokeh and rendering. My copies (late versions
of the lens) were incredibly sharp, even wide open. My only issues were the
yellowed glass (there is one "radioactive" element that yellows
over time) |
|
99 |
58 |
Minolta |
1.2 |
Rokkor MC |
Minolta MD |
no |
|
excellent |
http://phillipreeve.net/blog/minolta-mc-rokkor-58mm-11-2/ |
16 |
500 |
475 |
54 |
Large lens, heavy, great build & wonderful Bokeh with D
ring removed. Becoming collectors lens |
|
100 |
58 |
Minolta |
1.4 |
Rokkor MC PF |
Minolta MD |
no |
good to excellent |
good to excellent |
http://www.dpreview.com/forums/thread/3675887 - forum-post-53738167 |
16 |
60 |
290 |
45 |
Slightly larger normal focal length, brilliant bokeh and feel.
These older, slightly soft lenses may be more suitable for close portraits
than the latest razor sharp models. |
|
101 |
65 |
Canon |
2.8 |
MP-E Macro 5x |
Canon EF |
yes |
excellent |
excellent |
http://www.fredmiranda.com/forum/topic/1300574/0 |
16 |
1000 |
730 |
98 |
macro lens with Metabones III adapter works very successfully
on A7/R cameras |
|
102 |
70 |
Sigma |
2.8 |
Macro EX DG |
Sony A |
yes |
good to excellent |
good to excellent |
http://www.the.me/sony-a7r-and-a-ton-of-legacy-lenses-full-resolution-sample-images/ |
22 |
450 |
525 |
95 |
beautiful results, absolutely usable |
|
103 |
70-200 |
Sony |
4 |
SEL70200G |
Sony E |
yes |
good to excellent |
good to excellent |
http://www.photozone.de/sonyalphaff/870-sony70200f4oss |
22 |
1200 |
840 |
175 |
high quality lens with just a few weaknesses. The resolution
is generally on a very high level except at 200mm @ f/4 where the corners are
too soft. Lateral CAs are well corrected |
|
104 |
70-300 |
Sony |
4.5-5.6 |
SAL70300G SSM |
Sony A |
yes |
good to outstanding |
good to outstanding |
http://www.stevehuffphoto.com/2014/04/10/on-safari-with-the-sony-a7laea4sal70-300g-by-wim-arys/ |
22 |
750 |
760 |
136 |
With LA-EA4, very light and surprisingly easy to handle.
Cheaper than SEL70200g. |
|
105 |
75 |
Voigtlnder |
1.8 |
Heliar Classic |
Leica M |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
16 |
729 |
427 |
74 |
Evidence of purple fringing common with many Ōmid-rangeÕ
Voigtlander designs. |
|
106 |
77 |
Pentax |
1.8 |
SMC FA Limited |
Pentax K |
no |
|
good to excellent |
http://www.photoactivity.com/Pagine/Articoli/062 Sony A7r/062 La non
mia Sony A7r con i miei obiettivi.asp - 77 |
22 |
800 |
271 |
48 |
Sony G quality zoom. Not a lot of zooms can compare to this
lens in this class. It's sharp and extremely versatile. |
|
107 |
80 |
Leica |
1.4 |
Summilux R |
Leica R |
no |
|
good to outstanding |
http://www.fredmiranda.com/forum/topic/1307660 |
16 |
1550 |
694 |
69 |
In a few test shots lens perfomed well with no vignetting or
casting. |
|
108 |
85 |
Nikon |
1.8 |
AF-S FX G |
Nikon F |
no |
good to excellent |
good to excellent |
http://soundimageplus.blogspot.fr/2013/12/sony-a7r-and-two-best-lenses-ive-ever.html |
16 |
360 |
350 |
73 |
The lenses are compact, well built, and have excellent IQ from
wide open - even on the A7r. |
|
109 |
85 |
Samyang Rokinon |
1.4 |
IF ASPH |
Nikon G, Sony A |
no |
good to excellent |
good to excellent |
http://www.dpreview.com/forums/thread/3634052 - forum-post-53232045 |
22 |
280 |
539 |
75 |
good image quality |
|
110 |
85 |
Sigma |
1.4 |
DG HSM EX Art |
Sony A |
yes |
excellent to outstanding |
excellent to outstanding |
http://www.thephoblographer.com/2013/11/06/five-lenses-adapt-sony-a7-a7r/
- .VQC0NUJAw1w |
16 |
850 |
725 |
86 |
For shooting portraits, not much is better than SigmaÕs 85mm
f1.4 lens. With beautiful bokeh, sharp performance wide open |
|
111 |
85 |
Zeiss |
1.4 |
Apo Planar Otus ZF.2 |
Nikon F |
no |
outstanding |
outstanding |
http://3d-kraft.com/index.php?option=com_content&view=article&id=166:zeiss-otus-14-85-review-in-the-real-world&catid=40:camerasandlenses&Itemid=2 |
16 |
3999 |
1140 |
124 |
optical perfection in every aspect, manual focusing, perfect
match and simply the best lens you can currently get in this focal length
range |
|
112 |
85 |
Zeiss |
1.4 |
Planar T* AE or MM C/Y |
Contax Yashica |
no |
good |
good |
http://3d-kraft.com/index.php%3Foption=com_content%26view=article%26id=150:bokeh-dreams-with-sony-a7r%26catid=40:camerasandlenses%26Itemid=2 |
16 |
630 |
595 |
70 |
Exceptional picture quality even at wide open aperture. No
practice-relevant opticalerror. Wonderful smooth bokeh. Mint mechanical
quality. |
|
113 |
85 |
Zeiss |
4 |
Tele Tessar T ZM |
Leica M |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
22 |
798 |
310 |
95 |
rangefinder focusing accuracy will be a factor with such a
lens if critical results are desired. But it looks like stopping down to
around f/8 is best anyway |
|
114 |
90 |
Leica |
2 |
Apo Summicron M ASPH |
Leica M |
no |
excellent to outstanding |
|
http://www.dpreview.com/forums/thread/3757833 |
16 |
2900 |
500 |
84 |
it's excellent from wide open as you would expect, and
resolves gobs of detail stopped down.
The only minor issue that would ever come up is that it can flare a
bit when shooting into the sun. |
|
115 |
90 |
Leica |
2.5 |
Summarit M |
Leica M |
no |
good |
good |
http://www.ronscheffler.com/techtalk/?page_id=306 |
16 |
1679 |
360 |
66 |
the focus throw is very quick, meaning fine, precise focus
adjustments are more difficult to make |
|
116 |
90 |
Leica |
2.8 |
Tele-Elmarit |
Leica M |
no |
excellent |
|
http://www.dpreview.com/forums/thread/3732813 |
16 |
500 |
225 |
68 |
compact-sized lens at this focal length and aperture, some
tiny amount of purple fringe (to correct in LR), very good image quality |
|
117 |
90 |
Sony |
2.8 |
SEL90F28 Macro G OSS FE` |
Sony E |
yes |
(to come) |
(to come) |
http://sonymirrorlesspro.com/full-specs-sony-fe90mm-f2-8-macro-g-oss/ |
22 |
1150 |
602 |
130 |
It has a minimum focus distance of 28cm/11in and a maximum
magnification of 1:1. |
|
118 |
90 |
Tamron |
2.8 |
VC USD Di Macro |
Canon, Nikon F |
no |
good to excellent |
good to excellent |
http://www.getdpi.com/forum/sony/53672-fe-90mm-f-2-8-macro-g-oss-lens.html |
32 |
390 |
405 |
97 |
older version w/o OSS. without stabilisation but a little bit
sharper than the newest one. Lens is a very light and well balanced on the
A7r and very agreeable to use |
|
119 |
100 |
Minolta |
2.8 |
AF Macro |
Minolta, Sony A |
yes |
good to excellent |
good to excellent |
http://news.list-online.com/old-timers-using-1980s-minolta-lenses-on-a-modern-sony-digital-camera-petapixel-blog/ |
32 |
250 |
505 |
99 |
good to excellent on A7/R |
|
120 |
100 |
Zeiss |
2 |
Makro Planar T* ZE ZF.2 |
Canon, Nikon F |
no |
|
Outstanding |
https://bitchinlight.wordpress.com/2014/07/31/lens-alternatives-for-the-sony-a7r-the-worlds-preeminent-full-frame-camera/ |
22 |
1500 |
680 |
113 |
Superior optics, wonderful backgrounds and shallow depth, no
better lens in this range, heavy |
|
121 |
135 |
Auto Revuenon |
2.8 |
MC |
M42 |
no |
usable, good |
|
https://www.flickr.com/groups/nex-old/discuss/72157629321401721/ |
22 |
50 |
382 |
87 |
Good optical quality, inexpensive macro |
|
122 |
135 |
Canon |
2 |
EF L USM |
Canon EF |
yes |
good to excellent |
good to excellent |
http://www.dpreview.com/forums/post/55147736 |
32 |
725 |
750 |
112 |
works wonderfully, no issues focusing to infinity |
|
123 |
135 |
Canon |
2.8 |
EF SF SoftFocus |
Canon EF |
yes |
|
usable, good |
http://www.fredmiranda.com/forum/topic/1319708/0 |
32 |
350 |
390 |
98 |
Heavy, front weighted balance. Impressively sharp when you
nail the focus, depth of field is very small at f/2 making it easy to
miss-focus. Considerable vignetting wide open. |
|
124 |
135 |
Leica |
4 |
Tele Elmar |
Leica M |
no |
excellent |
excellent |
http://www.getdpi.com/forum/sony/49855-a7-r-lens-recommendations-90-135mm.html |
22 |
300 |
502 |
105 |
It's a bit long since it's not a telephoto design, but still
fairly small/light on the grand scheme of things. And very good to great
image quality. |
|
125 |
135 |
Leica |
3.4 |
Apo Telyt M |
Leica M |
no |
excellent to outstanding |
excellent to outstanding |
http://www.dearsusan.net/2014/01/01/190-leica-apo-telyt-1353-4-on-sony-a7r-the-long-ranger/ |
22 |
3000 |
450 |
105 |
One of the best performing Leica lenses on the A7r was the
Leica 135mm f/3.4 APO-Telyt-M |
|
126 |
135 |
Nikon |
2.8 |
Nikkor DC |
Nikon F |
no |
|
good |
http://www.ariefphotography.com/2014/08/review-nikkor-135mm-f-28-ais.html |
32 |
190 |
435 |
78 |
Image quality is very sharp in the opening (f / 5.6) |
|
127 |
135 |
Sony |
1.8 |
SAL135F18 |
Sony A |
yes |
good to excellent |
good to excellent |
http://www.thephoblographer.com/2013/11/06/five-lenses-adapt-sony-a7-a7r/
- .VPuODUJAw1w |
22 |
1270 |
985 |
115 |
the second sharpest 135mm lens available on the market after
the Zeiss lenses, Af with LA EA4 |
|
128 |
135 |
Zeiss |
2 |
Apo Sonnar T* ZE |
Canon EF |
no |
excellent |
outstanding |
http://www.fredmiranda.com/forum/topic/1295774/0 |
22 |
1769 |
920 |
108 |
Manual focus. Love, sharp, character, build, feel. Amazing
performer, big and heavy. |
|
129 |
135 |
Zeiss |
2 |
Apo Sonnar T* ZF.2 |
NIkon F |
no |
excellent |
outstanding |
http://blog.kasson.com/?p=5039 |
22 |
1750 |
920 |
105 |
Manual focus. Superior optics, wonderful backgrounds and
shallow depth, no better lens in this range, heavy |
|
130 |
180 |
Leica |
4 |
Elmar R |
Leica R |
no |
good to excellent |
|
http://fratkinphoto.blogspot.fr/2014/01/leica-180mm-elmar-f4-r-review-on-sony-a7.html |
22 |
450 |
440 |
100 |
Not cutting edge performance wise, but very good. Biggest
weakness is flare, and even that is not horrible. Sharpness, contrast and
color are all pretty good. |
|
131 |
200 |
Canon |
2.8 |
FDn |
Canon FD |
no |
good to excellent |
good to excellent |
http://www.cloudynights.com/topic/477591-does-anyone-use-old-canon-fd-lenses/ |
32 |
700 |
765 |
136 |
This lens is really
awesome. it's like a poor man's 200mm f/2. It's big and heavy with a 77mm
filter, built-in hood, etc. I like shooting this off the A6000 in particular
as it gives me a 300mm f/2.5. It works great in low light and has really
proved to be useful for my stills at weddings and other events. |
132 |
200 |
Minolta |
4 |
MC MD |
Minolta, Sony A |
yes |
good |
good |
http://artaphot.ch/sony-nex/altglas/333-sony-a7r-ze-1-8-55mm-mc-1-4-50mm-mc-2-8-21mm-mc-4-200mm |
22 |
110 |
500 |
138 |
Sharp at all apertures |
|
133 |
200 |
Pentax |
2.5 |
SMC |
Pentax K |
no |
good to excellent |
good to excellent |
http://www.dyxum.com/dforum/a7-pentax-200mm-f-25-smc_topic104823.html |
22 |
549 |
983 |
145 |
works great with the A7 |
|